Why not Dookie? Because I wasn’t 17 when Dookie came out. The feeling of being neck deep in a Green Day wave was palpably similar to when they first exploded in 1994. Nothing was bigger in 2004 than Green Day’s punk rock opera American Idiot. The album has sold more than 23 million copies to date and there was a resurgence in Green Day’s popularity similar to the release of their major label debut with 1994’s Dookie. This was the Green Day album my generation grew up with.

Released in September 2004 with an election looming, lead singer Billy Joe Armstrong didn’t mince words with his thoughts on then President Bush. With the war on terror in full swing and Fox News, led by anchor Bill O’Riley in prime time, were incessantly selling the war. Fox would emerge as the propaganda arm of the Bush administration, and Billy attacked the zeitgeist: “Don’t wanna be an American idiot, one nation controlled by the media, information age of hysteria, it’s calling out to idiot America.” That lyric from the album opening title track sets the stage for what’s to come, it’s more than a rock opera about Jesus of Suburbia, they were making a statement.

Like many other Americans at the time who weren’t buying the bill of goods being sold about weapons of mass destruction, Billy continues with the chorus of, “Holiday.””I beg to dream and differ from the hollow lies, this is the dawning of the rest of our lives.” Later, before the track fades into billboard hit, “Boulevard of Broken Dreams” the bridge has Billy throw out, “Seig Heil to the president gasman!” As memory serves, this was not hyperbolic, and there were as many people calling Bush and Cheney fascists then as there are about Trump now.

Not everybody was caught up in the politics of the album however, a lot of people just really loved, “Boulevard of Broken Dreams,” and what a tune it is. With that soaring chorus and the throng of people singing along, if you walked with Green Day you didn’t walk alone, “My shadow’s the only one that walks beside me, my shallow heart’s the only thing that’s beating.” It was a massive hit song with everybody from the Hot Topic people to the Hollister people, and that’s a rare event.

Thinking back about this time in music, I am glad I was a part of it. Every time I see the album art for this leviathan, I remember it fondly. Calling it the Millennials’ rock opera is fine with me, and it did eventually become a Broadway musical. Is it better than Dookie? No. Is it also great? Yes. American Idiot was a cultural benchmark of the mid 2000s and holds up today, let yourself drown in the power chords.