It’s a Wonderful Life of Albums: Wasting Light
The Foo Fighters career of Dave Grohl has reach: across time, across mediums, across borders. When an artist reaches the zenith of their profession, some lose the drive that got them there and stagnate, others get lost in fame, Dave decided to tweak the bands’ sound and record an analog album in his garage. 2011’s Wasting Light was recorded entirely on tape, allowing for no digital editing or correction of the takes. The band also leans into a more raw sound, without neglecting to include a few melodic rock and roll gems along the way.
Lead single, “Rope” demonstrates what you can do in a band with three great guitarists. There is no shortage of six string on this banger. The chorus is classic Foo Fighters, distortion, big drums and Dave Grohl bellowing “Give me some rope I’m coming loose, I’m pulling for you now. Give me some hope I’m coming out my head, into the clear, when you go, I come loose.” Come for the riffs, stay for the lyrics, the second track puts this album into another gear to hit its apex and we’re along for the ride.
There are songs on later Foo Fighters albums that remind me of what they sounded like earlier in the discography and, “These Days” is one. “One of these days you will forget to hope and learn to fear” is uttered so prophetically, like many of the other lyrics in the song structure. There is a maturity to the song, and a weight of experience, almost like if 2002’s “Times Like These” grew up and got some seasoning. This evolution has happened several times for a band that has spanned four different decades, and if we’re lucky Dave will keep making music like this.
Determined not to let the record die with a whimper, Dave saves the best for last. As far as album enders go, “Walk” checks all the boxes. It’s a reflective glimpse at a life that has gone on long enough to have trials, tribulations, and something to say, “I think I lost my way, getting good at starting over, every time that I return.” Despite going through these challenges and heartbreaks, the bridge of, “Forever, whenever, I never wanna die” repeats to signal a future and to cue a fireworks display that is the end of the song.
With six singles and four Grammys to show, let’s just say Dave is doing more with his garage space than any of us. It was also a cool gimmick that the cd came with a small piece of recording tape that contained usually a single snare or guitar note, people enjoyed figuring out which song it came from. It will also forever be one of the Foo Fighters albums that features the late Taylor Hawkins manning Dave’s throne on the drum kit. Add to that, the band did a tour of several fans’ garages to promote the spirit of the album. More people that reach the summit should take a cue from Dave Grohl on what to do once there.
It’s a Wonderful Life of Albums: The Colour and the Shape
I’ll never make it to heaven, but if good old St. Pete told me my entrance was contingent upon naming the best rock’n’roll band of my lifetime, it’s Foo Fighters without hesitation. Born from the ashes of Nirvana as the solo project of drummer Dave Grohl there just isn’t another band from 1987 to now that’s both qualitatively and quantifiably massive. This 1997 sophomore effort from Dave was a step away from the grunge era that defined him, toward the more melodic and accessible rock sound they are now known for.
The Colour and the Shape may represent their best album, but I’ll gladly debate you aimlessly until three in the morning because they have two others that are just as good. After the introductory first track, “Monkey Wrench” kicks your front teeth in with a blistering pace of 174 beats per minute. Dave belts out his frustrations over distorted guitars, “Adolescent resident, wasting another night on planning my revenge” and it is so visceral it almost bleeds.
Infamously, Grohl recorded his own drum tracks for nearly the entire album unbeknownst to the drummer in the band. William Goldsmith rightfully didn’t take it well, and the result was him leaving the group, but the rest of us getting the masterclass of Dave on the throne. I can’t imagine, “My Hero” opening with any other drum intro, and I often find myself trying to isolate what the drums are doing on this album, which is something I rarely do as a failed guitarist.
“And I wonder when I sing along with you, if everything could ever feel this real forever.” ‘“Everlong” is’…Frankly, a very difficult sentence to finish. There is the guitar in drop D tuning to maximal effect in the intro, the drums at a pace only Taylor Hawkins could later come close to replicating, everything on this track is turned up to 11. It builds into one of best songs of the decade, and with over a billion streams on Spotify this is the signature Foo Fighters song for the ages.
It’s a really special moment when someone turns exceptional talent and tragedy into something millions can enjoy forever, that is Dave Grohl with Foo Fighters. More specifically, this album was him taking everything he can do musically and putting it on a canvas. There is a level of polish on this record that would serve as the blueprint for most of the rest of the band’s existence in the spotlight. Dave Grohl is a hero in my book, though I wouldn’t say ordinary.
liveforthepage 
Recent Comments