It’s a Wonderful Life of Albums: Audioslave
The supergroup is not a new concept, going back to the days of The Traveling Wilburys, Cream, or Crosby, Stills, Nash and Young. Arguably the best supergroup of my lifetime, after a nod to Them Crooked Vultures, would be Audioslave. Formed in 2001 with Chris Cornell of Soundgarden and Rage Against the Machine members Tom Morello, Tim Commerford and Brad Wilk, this was a band that could blow the roof off of a venue. Their self-titled first album is fantastic rock music made by some of the most talented and innovative musicians of the nineties.
The record begins with Tom Morello lighting a match on one of the best riffs of the decade. Named for an Apache leader who resisted western expansion, “Cochise” just rocks. Naming the song after the resistance is very on brand for the Rage Against the Machine members, but the album doesn’t tread in the same territory as one of those efforts. This is a fairly apolitical music driven project, but I’m glad they snuck the title in there. The band could not have picked a better track to open with, and Cornell’s distinctive voice breathes life into the chorus of the track, “Go on and save yourself, and take it out on me.”
Anyone familiar with Audioslave will be able to point to, “Like a Stone” the second single, as the one that took the album to another level. Topping the billboard rock charts and even breaking into the mainstream airplay of the time. The climax of this perfectly constructed hit comes with the Morello wah pedal solo. Slow and deliberate, it takes us on a sonic journey before giving way to the more subdued and thoughtful bridge, “For all that I’ve blessed, and all that I’ve wronged, in dreams until my death, I will wander on.” This is the sound you get when you put together a super group with this kind of clout, and it’s glorious.
With the opener still ringing in your ears, another riff heavy delight comes at you with, “Show Me How to Live.” This was also a single that broke into the mainstream for the band, they were really on a roll. The lyrics pull from some Christian iconography, turning the title into a demand, “Nail in my hand, from my creator, you gave me a life now show me how to live.” If you’re worried that it’s too heavy, there’s another dive into the Morello guitar effects library for the solo to re-center yourself.
I cannot allow this article about 2002’s Audioslave to finish without mentioning, “I Am the Highway.” “I am not your rolling wheels, I am the highway. I am not your carpet ride, I am the sky.” There is a lot to love on this album, especially if you love talent. Cornell’s voice has long been some people’s favorite instrument, and it sounds as good as ever here. When you combine it with Morello’s pedal board and creativity, the deft brush strokes come in waves to cover the canvas from corner to corner.
It’s a Wonderful Life of Albums: Silent Alarm
I took a chance on Bloc Party after hearing only, “Helicopter” on the soundtrack to one of the FIFA soccer games, the song was strong. I read a couple of positive reviews of the album and on to the music club website I was part of. I may seem like a mark for having that much faith, buying an album from a song that was clearly marketed to me through my favorite sport. Maybe I’m a mark because the Anglophile in me couldn’t resist the delightful accent of lead singer Kele Okereke’s voice. Sometimes albums fall out of the sky and you just happen to be there to catch the vibrations. Mark my words, in 2005 and now, this is a great album.
I fell in love with this album my last year of high school, and the singles from it dotted just about every playlist I made as a college freshman. I didn’t know how formational it was to me until I started falling asleep to it, all that guitar. The aforementioned single “Helicopter” would also go on to appear on one of the Guitar Hero games, it was truly a time to be alive. Its frantic, high energy guitar focused greatness could not be contained, “Stop being, so American, there’s a time and there’s a place.” Clocking in at over 170 beats per minute, it’s like these guitars are racing to a finish line.
“Turning away from the light, becoming adult, turning into myself, I wanted to bite not to destroy, to feel her underneath, turning into the light.” “Banquet” hooks me right away every time with the mix starting out with one guitar in each ear, playing back and forth at each other. A little bit about growing up, a little bit too much guitar, and it always feels a little short, leaving you waiting for the next time it comes on your playlist. They struck a nerve with the way this one feels, and then accentuated it with an angry guitar outro to bring the chaos to a natural conclusion.
There’s an angelic quality to the guitar arpeggio and atmosphere created on the album track, “So Here We Are.” While it is light on lyrics, it creates this space where you can just lay back and enjoy it until it crescendos with the repeated, “I can see again.” As if to pull a 180 on that thought, on, “The Pioneers” we get a nervous and tense lyrical onslaught followed by a despondent chorus, “We promised the world we’d tame it, what were we hoping for?”
If you’ve been keeping up with this weekly series, you know the bias toward guitar focused albums is not something I’ve hidden. This is one that may have slipped through the cracks despite nearly universal critical acclaim and selling over a million copies. The record takes you on a six string journey for nearly an hour, and it’s a ride you will want to take again. I hope you continue turning into the light, whatever that means for you.
It’s a Wonderful Life of Albums: Nevermind
I would be remiss to love rock music as much as I do, and neglect to include 1991’s Nevermind in this series. The album comes up on every nineties list of best albums of the decade. Nevermind is the grunge genre’s magnum opus. There were a host of good grunge bands in the early nineties but there was only one Nirvana. Lead singer and guitarist Kurt Cobain was a Beatles fanatic, and his band travel in the same circle of rock lore as the Beatles in that they weren’t around long enough to put out any bad albums. Around long enough to establish greatness and then gone in an instant, like too many in the business, a suicide way before their time.
“Smells Like Teen Spirit” is simply an all time great song, and it kicks off this record with overwhelming force. If I’m honest it’s between this and, “Wonderwall” for song of the decade, a yin-yang argument I would gladly have any time. I love playing this song, everybody with a distortion pedal loves playing this song on guitar, but it’s the drums that are the glue. It is worth watching any live version of this song where Dave Grohl is absolutely abusing the drum kit to perfection. Say whatever you want about Foo Fighters, Dave is at home on the drums for this album and it’s where he feasts with godlike ability.
I was one of those people with Nirvana who, “Knows not what it means” to skip any of the songs on this album, but particularly the first three. Teen spirit comes to its conclusion and then you are immediately greeted with some more massive power chords with, “In Bloom.” The dynamic of quiet verse with a loud distorted chorus was perfected by Nirvana early in the decade, and imitated by many. There isn’t a lot there lyrically, but it works and the trio sound great here.
Following those two tracks would be a nightmare unless you are Kurt Cobain, who had, “Come as You Are” up his sleeve. The great guitar line repeats throughout, and includes the immaculate alt-rock apathy line, “Take your time, hurry up, choice is yours don’t be late.” It can be debated whether the song is about heroin, but it doesn’t matter, it’s just a great song. So much so that it was added to the welcome sign in Kurt’s hometown, it reads, “Aberdeen, Washington Come As You Are.” It’s so sad to think about the music we didn’t get from him, but this is what I call a proper memorial.
Before he retired, my father was a guidance counselor, and thinking about Nirvana and Kurt Cobain always reminds me of how he first came to know their impact. The day after news circulated that Cobain had passed, a student came into his office beside themselves in grief. He was busy raising my brother and I, so forgive him for not being up on grunge back then, but their musical impact on people was clear. The reach of their music was far and wide, harnessing the melodic and the chaotic with equal brilliance.
It’s a Wonderful Life of Albums: Definitely Maybe
People love one hit wonders, but they always leave you wanting more. People don’t like it as much when a band debuts with a thermonuclear explosion like Oasis did with Definitely Maybe, and the cynical would say it’s all downhill from there. Whatever you want to say about it the follow up, (What’s the Story) Morning Glory and its massive hits, you can’t say it was a step down in quality. Oasis led by songwriter Noel Gallagher were shot out of a cannon in 1994, from there it wasn’t downhill, but no looking back.
Freshly acquired from the Sony BMG music club when I was a Junior in high school, my neck snapped toward my cd player where I would find the track number 3, and that’s the first time I remember hearing, “Live Forever.” It would become, and remains, my favorite song. It has everything you could want in a Noel Gallagher classic, from the lyrics, “Maybe you’re the same as me, we see things they’ll never see, you and I are gonna live forever” to the used before, but never this well, chord progression and finally two simple but respectable guitar solos, timeless.
Written and recorded in a single night in Liverpool, “Supersonic” is the single we all wish we wrote. Noel once described that he wrote the song in about a half hour, they ordered Chinese take out and by the time everyone had eaten it, the recording was finished. “I need to be myself, I can’t be no one else” is the only ethos you need to take from this album if you don’t find three others sprinkled among the eleven tracks. On one of their live releases, Liam is heard heckling Noel to, “Write a coupla’ more of theses babies.” I’m sure he would if it were that easy. When you’re the brother who got all the talent, sometimes you write a hit in 30 minutes that Liam could only dream of, and the rest of the time you have to put up with him singing it.
If you catch me on the right day, I will tell you that, “Slide Away” is the best Oasis song, and the best song Noel Gallagher has ever written. If you catch me in a sour mood I will tell you it’s in the top five, and you should get your head examined if you don’t think Noel Gallagher is the best songwriter of my lifetime. Written during one of the numerous Definitely Maybe recording sessions, its origin story is the stuff of legend. Noel reached out to his friend and guitarist of The Smiths, Johnny Marr with a request for more guitars for the record. One of the guitars Marr sent was on old Les Paul that Noel took to his room for the night where he claimed, “The song wrote itself.” It is said to be written about Noel’s soulmate, a relationship that ended when they had to go on tour. You can hear what he lost, “Slide away, and give it all you’ve got, my today, fell in from the top, I dream of you and all the things you say, I wonder where you are now.”
I didn’t have a chance to get to how great the stolen riff is on, “Cigarettes and Alcohol“ or the fact that it kicks off with the huevos of, “Rock’n’Roll Star” or the magical jam session that is, “Columbia.” Noel is the only autograph I ever kept, the reason I learned guitar, the best show I’ve ever been to with my dad. Buy me a drink and I’ll sing you a song, it will probably be Oasis. Probably from this album, possibly you’ll like it. No, Definitely…Maybe.
It’s a Wonderful Life of Albums: The Stone Roses
Sometimes wonderful things just sneak in under a deadline or requirement, a warm autumn day before the weather turns, finishing that gallon of milk before the expiration, the LeBron James block in game seven. The Stone Roses’ self-titled debut barely snuck into my lifetime with its release in 1989, and I wasn’t going to let this one slip through the cracks of this series. It is often considered amongst the best debut albums to ever come out of the United Kingdom, and it’s certainly part of the DNA of the Britpop movement that followed.
The record begins calmly and deliberately, a slow muted guitar and bass provide the canvas for the meandering lead guitar of John Squire to explore. “I don’t have to sell my soul, he’s already in me, I wanna be adored.” With very few lyrics, the passionate croon of Ian Brown is what makes the same words being repeated feel magical. While it could be argued that his voice is not great, it is iconic and actively vibes in a timeless way. He truly sings in the key of mellow, and it’s as soothing as aloe.
Not to be outdone, “She Bangs the Drums” follows as a much more radio friendly upbeat track featuring an amazing bass line from Mani. The chorus’ uplifting refrain of an unnamed lady drummer is fantastic, “Have you seen her? Have you heard? The way she plays there are no words, to describe the way I feel.” Britop legend Noel Gallagher, who took more than a few cues from the band, has claimed this as his favorite Stone Roses song and in England that is as good a stamp of approval as you will get.
While fellow Mancunians Oasis have always been outspoken supporters of Manchester City in European football, three quarters of The Stone Roses are fans of Manchester United. While this brings enormous warmth to my heart that they are fellow reds, the real testament is that since the early 2000s United players have walked out of the locker room at Old Trafford to the melodic and ascending track, “This is the One.” I loved the song before I knew this nugget, and what a great honor it is when a local artist is championed in this way.
The original album release ended on, “I am the Resurrection” so I will stick to that track list. While it is self indulgent at 8:12, almost half of that being the outro guitar solo, it’s a great album capstone. I would also be remiss to not mention how great, “Waterfall” is, no notes on that one. When I think of, “no skip albums” The Stone Roses is always top of mind, and the music it helped influence has always been intoxicating to me. One can definitely spend an hour more fruitlessly than giving this one a spin.
It’s a Wonderful Life of Albums: Californication
There is no official ambassador honor for the state of California, but perhaps they should give the title to the Red Hot Chili Peppers. There are no more prolific propagandists of dreams of a California lifestyle than them, stitched into the fabric of the culture. It’s debatable if this is their best album, they are a great band, but Californication hit hard for me in 1999 and I wasn’t alone. The record spawned six singles, and went on to sell over fifteen million copies worldwide, for a more modern take, three of the band’s top five most streamed songs on Spotify.
Californication marked the return of guitarist John Frusciante to the band, and his presence is felt throughout. His beautiful almost weeping clean guitar forms the framework of, “Scar Tissue” a single that can hook you within the first 15 seconds of the song starting. It features a mellow and lovable chorus, “With the birds I’ll share this lonely viewin’” and the hilarious verse, “Soft spoken with a broken jaw, step outside but not to brawl, autumn’s sweet we call it fall.” The bigger hits on this album are so easy to love.
The next track hits pretty hard in succession, “Otherside” features great storytelling about the pitfalls of confronting addiction. It’s dark in places, musically strong, and features this great opening verse, “I heard your voice through a photograph, I thought it up and brought up the past, once you know you can never go back, I gotta take it on the otherside.” The song is reflective and accessible enough that it doesn’t force the subject matter on a casual listener too heavily, it was a single after all.
The title track simply leaves nothing to be desired, five and a half minutes of Red Hot Chili Peppers bliss. If you catch the music video, it features the latest in what video games looked like at the turn of the millennium. The lyrics speak to the overwhelming cultural force that California is to our society and the world, and the possibilities that are only there beyond the superficial. “Space may be the final frontier, but it’s made in a Hollywood basement. And Cobain can you hear the spheres singing songs off station to station?” All of this comes to a head with Frusciante’s almost too perfect guitar solo, it silences whatever noise is going on in my head every time I hear it, at least for a moment.
I also want to give compliments to Lawrence Azerrad, know for his Pink Floyd album covers for the art, this cd begged to be picked up off the shelf even if you didn’t know the band. I remember the joy of buying this CD at the Ft. Wayne Best Buy back in jr. high, and that, ladies and gentleman, is an old sounding sentence. It can be argued as to whether this is the best Chili Peppers album, there are at least two others you could make a case for. In the end, this is the one that has, “Californication” on it, so all other arguments are probably moot.
It’s a Wonderful Life of Albums: Only by the Night
In the fall of 2008 there was an injection of youthful energy in the world of music, a new semester was in the works for me and a new Kings of Leon album was the music of the moment. It was one of the few times I can remember a rock band being the center of attention in the culture of my youth, all the better that it was for good reason. Only by the Night is a great album with two massive hit songs that propelled it in quick succession to the front of our minds.
Album opener, “Closer” puts us on pins and needles from the outset with the recurring delay guitar rippling like a foreshadowing of the heavy journey ahead. “Skies are blinking at me, I see a storm bubbling up from the sea, and it’s coming closer.” The song sets the foundation for the rest of this monster album with its six singles, but also immediately indicates it won’t be the smoothest ride. It won’t be sunshine and rainbows, but you should have no interest in getting off the ride. The eerily optimistic hungers you get from it will be satisfied.
If you’re looking for the banger of 2008, “Sex On Fire” is your hit, pun intended. This has the guitar string bend heard round the world, with all the distortion necessary to accentuate one of the steamier choruses of the year. “You, your sex is on fire, ah, ah, consumed, with what’s just transpired,” immediately followed by that massive guitar driving the point home. Radio play never killed this one for me, and when it came on at a party it was a cue to head for the keg line, as the were about to be a lot of empty cups.
Just a month later the equally compelling second single was released with a less sexy, more communal tone, “Use Somebody.” Lead singer Caleb Followill pangs for a companion from a dark place, “Someone like you and all you know and how you speak, countless lovers under cover of the street, you know that I could use somebody…Someone like you.“ The chorus of “oh-ohs” forms the pop friendly bones of the song and it is heavenly to hear a crowd echo this by the thousands, even someone like you.
As their fourth studio album and follow up to 2007’s excellent, Because of the Times, Kings of Leon were already ascendant, Only by the Night put them into the stratosphere. This was the album where they broke into the United States, after years and albums of success in the United Kingdom. This Tennessee band of three brothers and a cousin rocked their way around the world before coming back to conquer America. I don’t love everything that comes out of Nashville, but when I listen to this album I can’t help but ask someone to pass the southern barbecue.
Happy Pride To All
To everyone who celebrates pride this month, I hope you enjoy yourselves, you deserve it. It presents us with an opportunity to promote unity in a divided world, and celebrate our individuality and humanity. I’m not up on the correct acronym of the moment, but the LGBTQ+ community has given much to the world, and they deserve a month to be recognized. Two years ago while working in an office in Marysville I had told a coworker I would be attending pride with a friend, the response was one of the ugliest homophobic rants I’ve ever heard in my catholic-raised life. I was angry, but respectful, and that made me write this song, I hope you enjoy. Be yourself, happy pride!
It’s a Wonderful Life of Albums: Is This It?
Rock and Roll debauchery has always held its appeal to me, when the cool band of the moment does something outrageous. Noel Gallagher once said, “Until you’ve actually thrown a television set out of a window, you don’t even know the sense of joy it brings.” The Strokes, led by stylish frontman Julian Casablancas were that cool, on edge band for me in the early 2000s. I have no accounting for hotel structural damage that they caused back then, but I always thought they might unleash that destruction at any moment.
The debut album Is This It was already on the hype train when it came out in 2001 on the heels of the success of their EP The Modern Age, which was released in the United Kingdom the same year. The first single from the album was, “Hard to Explain” rose to number 1 on the UK indie charts. This was our first introduction to the guitar heavy sound of The Strokes with the reverse reverb on Casablancas’ vocals, a defining sound of the early oughts.
In the vein of rock and roll mythology, good artists copy, great artists steal. With that in mind there was a definite and later blessed theft involved with the making of the single, “Last Nite.” The rhythm guitar intro is almost a direct lift from Tom Petty and the Heartbreakers’,“American Girl” something the band would later admit to in an interview that Petty himself referenced. Like a true crusader for the love of rock and roll, Petty never sued or was in any way negative about them lifting the intro, he laughed it off like the legend he is.
The easiest listening song on the album is probably the third single, “Someday” with its jangling guitars and somewhat hopeful lyrics, “You say you want to stay by my side, darling your head’s not right, ah, see, alone we stand, together we fall apart, yeah, I think I’ll be alright.” The music video was fun, featuring the band in a bar telling stories, sharing cigarettes and drinks, it would be rock and roll caricature if it didn’t look so natural and cool.
The Strokes were going to be the band that saved rock and roll in 2001, and their debut album Is This It? was going to be the blueprint. That kind of hype was something no band could ever live up to, but at least we got this masterpiece. If nothing else it shows the enduring power of rock and roll to have a record like this come out decades after the prime era of the genre. The energy of the record is also undeniable, and it clocks in at around 37 minutes, just enough time to make a memory tonight that will be hard to explain.
It’s a Wonderful Life of Albums: El Camino
It’s fitting that the first album I really fell in love with after moving to Columbus after college was from Ohio homegrown legends The Black Keys. 2011’s El Camino was Akron duo Dan Aurbach and Patrick Carney’s 7th studio album together, the follow up to their multiple Grammy winning commercial breakthrough Brothers. It peaked at number two on the Billboard album chart in the United States and prompted my first opportunity to see them live.
Most of The Black Keys discography lived on my iPod for the four years I spent in college from 2006-2010, so I was not new to their greatness by this point. This was another example of an album that just fell to me at a perfect time in my life in addition to being loaded with great songs. It kicks off with, “Lonely Boy” which won them three more Grammys that year including best rock album. With its delectable chorus and lyrics of a man at wits end, “Well your mama kept you, but your daddy left you, and I should have done you just same.” The lead guitar piece drives it so well and you can hear almost immediately why this was a hit.
The best song on the album comes a few tracks later with the organ infused, “Gold on the Ceiling.” Following the wonderful guitar intro we are introduced to an organ from decades gone by and a crowd of rhythmic hand claps. “They wanna get my gold on the ceiling, I ain’t blind, just a matter of time, before you steal it, it’s alright, ain’t no blood in my eye.” This is the kind of song that fills an arena, and it was at capacity on that day as I scribbled notes of a show review to be passed on to a co-worker’s website.
Before the album’s through, the duo lament an indecisive lover on the compelling “Nova Baby”, “All this love of mine, all my precious time, you waste it ‘cause you don’t know what you want.” There are several other non-singles that live up to Black Keys polish such as, “Run Right Back” and “Stop Stop.” All of The Black Keys albums are, “just push play” intuitive to me, but this album’s cup runneth over and should be likable to just about anyone with ears. If I went deaf I would learn braille so I could read the lyrics to their next scornful love song.
My boss at the time let me cut out early to scalp tickets for their show at the Schottenstein Center in support of the album and they did not disappoint. Certainly I’m biased, but I challenge anyone to name a better rock band from Ohio. I would certainly be thrilled if they would choose a Black Keys song for the Buckeyes to kick off to. I say this because Jack White of “Seven Nation Army” fame is from Michigan and that usually seems to be an important detail down here. Buckeye football aside, El Camino should be listened to at high volume.
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